The Second Europa War is being fought between Gallia and the East Europan Imperial Alliance, and a penal military unit known as the Nameless is on the run from both superpowers. Deemed rebels by Gallia and also a priority target of the Empire, the Nameless struggle to find their place in the raging war. To make matters worse, the company's tank driver, Gusurg, abandons them to fight for the Empire. After liberating a small town from the Empire, the Nameless come across Isara Welkin, an injured tank driver from Gallia's Squad 7. Isara explains to the Nameless' leader, Kurt Irving, that her squad is retreating from a failed raid and pleads for the Nameless to save them. They now face a difficult decision: remain in hiding, or redeem themselves only to aid the nation that marked them as traitors.

An action comedy including parodies of tokusatsu monster/hero genre, such as "Godzilla" and "Ultraman." A time-space conditioner from the future, Miraiman, suddenly appears before the Nohara family, and he requests the family to fight against giant monsters who appear from time-space distortion one after another, in order to save the world from destruction. Every time monsters appear, Shinnosuke's parents, father Hiroshi and mother Misae go to the world three minute later, transform themselves into righteous heroes and defeat them within the time limit of three minutes. Hiroshi and Misae become wrapped up in getting rid of monsters, and Misae stops doing the housework. Then, a strong monster appears, and he cannot be defeated within three minutes. Shinnosuke rises up against the monster.

After overcoming numerous tribulations, the members of Roselia promised to appear on FUTURE WORLD FES. It is now Autumn... Through writing the lyrics of "Promise," Lisa has matured. Watching the change of color in the autumn leaves, Yukina and Sayo expressed their resolve in a picture letter to their future selves. Driven by the wish to do something for Roselia, Rinko has started to compose a new song. "The remaining quests are the contest, the tournament, and FUTURE WORLD FES..." Reflecting on their goals, Ako starts to feel anxious.

The time: 1814. The place: Edo, now known as Tokyo.

One of the highest populated cities in the world, teeming with peasants, samurai, townsmen, merchants, nobles, artists, courtesans, and perhaps even supernatural things.

A much accomplished artist of his time and now in his mid-fifties, Tetsuzo can boast clients from all over Japan, and tirelessly works in the garbage-loaded chaos of his house-atelier. He spends his days creating astounding pieces of art, from a giant-size Bodhidharma portrayed on a 180 square meter-wide sheet of paper, to a pair of sparrows painted on a tiny rice grain. Short-tempered, utterly sarcastic, with no passion for sake or money, he would charge a fortune for any job he is not really interested in.

Third of Tetsuzo's four daughters and born out of his second marriage, outspoken 23-year-old O-Ei has inherited her father's talent and stubbornness, and very often she would paint instead of him, though uncredited. Her art is so powerful that sometimes leads to trouble. "We're father and daughter; with two brushes and four chopsticks, I guess we can always manage, in a way or another."

Decades later, Europe was going to discover the immense talent of Tetsuzo. He was to become best known by one of his many names: Katsushika Hokusai. He would mesmerize Renoir and van Gogh, Monet and Klimt.

However, very few today are even aware of the woman who assisted him all his life, and greatly contributed to his art while remaining uncredited. This is the untold story of O-Ei, Master Hokusai's daughter: a lively portrayal of a free-spirited woman overshadowed by her larger-than-life father, unfolding through the changing seasons.

(Source: Production I.G)